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Most of my work tends to go in a graphic or abstract direction. It's come down to a way of seeing things. My abstract studies in reflection, pattern and shadow grew out of my fascination with serendipity in our visual world. Things that work really well in the abstract are repeating shapes and the random, yet in a strange and beautiful way, orderly presentation of unexpected elements when the light or angle is just right. With my lens, I extract things, people, scenes from their ordinary context. What I love most about working with abstraction is the ambiguity it creates; anything to challenge our sensibilities and our need to make sense of the world. My eye also naturally leans toward graphic subjects where color or a strong graphic structure dominates. I want to communicate a sense of balance and stark simplicity in the photographs I create. What drives me more than anything is my desire to uncover the dualities present in visual phenomena, to get at the history and emotion that lies beneath all things, all people.